Professional Stuntwoman for Hire.
Hannah Betts doesn’t waste time. Doesn’t need warm-ups, though she recommends them. She doesn’t second guess. She moves fast, lands clean, and makes sure the shot works—no matter how chaotic it looks onscreen.
Before Hollywood, she was a police officer in the U.K.—four years on the force. Then, she became a world champion skydiver, a gold medalist at the 2008 FAI Skydiving World Championships, the 2013 U.S. Nationals, and a Prince of Wales Cup recipient. She’s trained to hit a target at terminal velocity with a smile and a reserve parachute—and that kind of focus translates seamlessly to film.
You want skydiving on screen? Call Hannah. She took the leap in Heart of Stone doubling on a high-altitude sequence, did similar precision jumps for Charlie’s Angels (2019) and again in Those Who Wish Me Dead. While working on Rampage, Whitney flew her parachute during a high-stakes aerial scene. Though the footage didn’t make the final cut, the sequence involved tight landing zones, camera rigging, and precision flying—no second takes needed.
And then there’s driving. Not just ND rolls or camera car near misses. Barbie under Ingrid Kleinig. The Gray Man with Don Thai. Me Time and Babylon—fast, technical, and locked in. On Ambulance, Whitney contributed to key stunt sequences, including fights & doubling work. She's sharp, quick on her feet, and always ready to deliver her best.
Hannah has doubled Sandra Bullock in The Lost City of D, and jumped into fight sequences on Captain Marvel, Jurassic World, and The Great Wall. You won’t see her face—but she’s the reason the hits look real and the actors stay safe.
On Once Upon a Time in Hollywood, Hannah handled fire safety and driving work, making sure the action stayed sharp and controlled. In The Purge 5, she performed fight scenes—even if some didn’t make the final cut. She tackled challenging balcony falls in Rebel Moon and Aftermath, landing each one with precision. On Atlas, she juggled SWAT sequences, ratchets, and rigging support, switching gears with ease as part of the stunt crew.
In television, she’s everywhere. Agents of S.H.I.E.L.D. alone = 36 episodes! Fire, wire work, ratchets, water, ground-and-pound. She’s doubled in NCIS (10 episodes), NCIS: LA (11 episodes), and crushed driving gags in The Rookie, 911, and Fear the Walking Dead. That last one? She’s done fire burns, wire rigs, and underwater stunt work—sometimes all in the same shoot day.
And she still finds time to work behind the camera as a safety coordinator, aerial specialist, or rig assistant. Her certifications run deep—horse riding, tactical rope work, advanced water safety, kickboxing, weapons training. She even served as a lifeguard in the U.K. before switching coasts, then jumped into full-time film work in California.
Stunt coordinators trust her because she doesn’t stall production. She keeps it moving. She knows the gear. Understands camera. Doesn’t overact a hit. Doesn’t miss one either.
No ego. No fluff. Just execution.
See Hannah Betts’ full IMDb profile
The Stuntwomen's Association of Motion Pictures (SWAMP) is the pioneering and longest-standing women's stunt team in history. Comprised of elite female stunt performers, coordinators, and second-unit directors, SWAMP champions safety, professionalism, and excellence across the entertainment industry. Their members have performed daring, high-risk stunts in many iconic blockbuster films and TV shows. Known for their immense contributions to the stunt and action world, SWAMP continues to influence the industry. For bookings or interviews, SWAMP remains a key resource for the finest in stunt performance.
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