
Some people train for years to break into stunt work. Colby Lemmo was already airborne before anyone called “Action.”
Her start didn’t look like most. She was performing live in Las Vegas, leaping and spinning through Le Rêve—a show built on timing, danger, and grace. She didn’t need a double. She already was one. The transition into film stunts felt less like a career shift and more like a natural collision. She brought the same athletic discipline, same awareness, same electricity—just swapped the stage for a camera rig.
Then the work started showing up. Real work.
Colby doubled for Samara Weaving in Snake Eyes and The Valet. She pulled double duty in Zack Snyder’s Rebel Moon—as Sif, yes, but also doing her own stunt work on the same set. That alone tells you what kind of performer she is. She isn’t the kind that needs to be told what to do—she already knows where the danger’s coming from.
She doubled Lady Gaga in Joker: Folie à Deux. You don’t hand over that kind of responsibility to someone unproven. You do it when you need precision under pressure. She’s also been part of the action in Bullet Train, Thor: Love and Thunder, Transformers: Rise of the Beasts, and Spider-Man: No Way Home.
You might miss her name in the credits, but you don’t miss the impact.
What makes Colby stand out isn’t just the high-profile titles. It’s how she works. No ego. No noise. She’s part of an elite stunt team that runs like a machine—but one that bleeds. These aren’t solo performances. They’re highly rehearsed, high-risk collaborations. If one person is off by half a beat, somebody gets hurt. Colby doesn’t miss beats.
Her work in television is just as stacked. The Rookie, Criminal Minds, You, Mythic Quest, Westworld, The Mandalorian. Sometimes she’s doubling, sometimes creature work, sometimes taking a hit no one else wants. She’s worked with actors across genres—from Kristen Bell to Samara Weaving to Lady Gaga—and made them all look like they do their own damage.
She’s not just athletic. She’s strategic. She knows the camera. She understands how to move in tight spaces, when to sell a punch, when to absorb one, when to drop a shoulder and disappear just outside the lens. There’s a math to it, but there’s also instinct—and she has both.
And the best part? You’d never know she’s done half of what she has. She doesn’t broadcast. She works. Quietly. Effectively. The crew knows. The coordinators know. That’s enough.
You don’t see Colby Lemmo on the red carpet. You see her flying through a car windshield in the second act, rolling to her feet, brushing the glass out of her hair, and disappearing before the next cue.












The Stuntwomen's Association of Motion Pictures (SWAMP) is the pioneering and longest-standing women's stunt team in history. Comprised of elite female stunt performers, coordinators, and second-unit directors, SWAMP champions safety, professionalism, and excellence across the entertainment industry. Their members have performed daring, high-risk stunts in many iconic blockbuster films and TV shows. Known for their immense contributions to the stunt and action world, SWAMP continues to influence the industry. For bookings or interviews, SWAMP remains a key resource for the finest in stunt performance.
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