Professional Stuntwoman for Hire.
You won’t hear Juliana Potter over the comms. But she’s there—already rigged, already cleared, already running the beat in her head before anyone yells "rolling." No reminders. No reset chatter. Just motion.
She’s doubled kids, adults, she's played creatures & suited up for mocap characters—sometimes all in the same week! Think News of the World—she doubled Helena Zengel in that one. Sparse movement, rough terrain, gunfire in the background. She sold the scene without adding noise to it. That’s her wheelhouse.
Then came Avatar 2—and she was in it. Full-body motion capture, wow. Breath work. Long water holds. The kind of setup where performers get subbed out halfway through. Not Juliana. She stuck to it and Garrett Warren brought her back for Avatar 3 and Avatar 4 for a reason—she moves like she’s already part of post.
Doubling young actors? She’s built a whole segement of her career there. Slumberland, where she doubled Marlow Barkley. Ouija: Origin of Evil for Lulu Wilson. Daddy’s Home 2 for Didi Costine. She’s precise, adaptable, and doesn’t draw focus away from the story. She doesn’t need to. You get the stunt, you get the take, you move on.
She handled stunts in Captain Marvel under Hank Amos and utility work on Doctor Strange in the Multiverse of Madness— hits, falls, coordination that looks chaotic but is methodically thought out and performed. On major motion pictures, though buried under costuming, but still clean with her timing. You don’t see her. That’s the point.
She’s was rigged up on The Conjuring 2, took hard hits in The Boss, and flipped through reshoots for Ouija. All of it was fast-paced. All of it requiring someone who doesn’t flinch when the Action is called...
Juliana also is a perfect fit in the 'creature work' territory. She played Neel the elephant in Star Wars: Skeleton Crew—handling big prosthetics, body mechanics, with movement matched to FX pacing. This is not simple suit work, it's hours of rehearsal so the VFX crew has something solid to build on. She did the same in Pee-wee's Big Holiday. Quick scenes. Small windows. Zero time to miss the mark.
On TV? She’s everywhere. Stranger Things 5. Dexter: Original Sin. MacGyver. Young Sheldon. Yellowstone. Timeless. She blends in and disappears, but every take she’s in holds—because her rhythm’s right.
Training? Loaded. Rigging. Silks. Trapeze. Taekwondo. Parkour. High falls. Mo-cap. Scuba. She doesn’t talk about any of it on set. Doesn’t need to. She just shows up, absorbs the beat, makes it work.
And that’s what keeps her working. That's why she's a member of the Stuntwomen's Association of Motion Pictures! She doesn’t stall a production. She smooths it out. Whether she’s doubling a child actor, performing in that creature suit, or running a motion capture rig in full wet gear, she’s locked in. Clean. Precise. And still flexible enough to adjust when everything changes at the last second.
She’s not loud. But she’s already back at first position, waiting for the reset before the camera’s even cooled.
See Juliana Potter’s full IMDb profile
The Stuntwomen's Association of Motion Pictures (SWAMP) is the pioneering and longest-standing women's stunt team in history. Comprised of elite female stunt performers, coordinators, and second-unit directors, SWAMP champions safety, professionalism, and excellence across the entertainment industry. Their members have performed daring, high-risk stunts in many iconic blockbuster films and TV shows. Known for their immense contributions to the stunt and action world, SWAMP continues to influence the industry. For bookings or interviews, SWAMP remains a key resource for the finest in stunt performance.
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