
Professional Stuntwoman for Hire.
Mallory Thompson doesn’t just step into danger — she brings style, timing, and a fearless edge that’s carried her through more than a hundred stunt credits across film and TV.
She grew up vaulting and flipping her way across track and field circuits in Baton Rouge. High jump, pole vault, whatever launched her into motion. That foundation stuck — and you can see it in every wire rig, every rooftop chase, every slow-mo impact she’s taken since. Mallory doesn’t flinch. She lands it.
She’s one of those film and television professionals who’s moved quietly through massive productions, doing the real work behind the scenes. You know the part in Ready Player One when Olivia Cooke’s character dodges chaos at breakneck speed? That was Mallory. Same for doubling Zendaya in The Greatest Showman. Her credits include Truth or Dare, Lying and Stealing, and The Spy Who Dumped Me, where she doubled Ivanna Sakhno under Gary Powell’s coordination. And that’s just scratching the surface.
She’s been tossed into Rampage, and banged up on CHIPS, all while keeping cast and crew safe and the action real. Her work on Alexander and the Terrible, Horrible, No Good, Very Bad Day had her doubling Jennifer Garner — and running chaos control behind the scenes.
But her resume doesn’t live in one genre. She’s bounced between thrillers like Bright and battle-heavy blockbusters like Ender’s Game, navigated firelight and grit in Django Unchained, and even dropped into post-apocalyptic training rigs for After Earth. Whether it’s a mo-cap shoot, fire burn, or full-contact fight, Mallory adapts.
She’s doubled nearly every kind of leading lady — from Emily Ratajkowski to Bella Thorne, January Jones, and Olivia Cooke — and again, even Zendaya, twice (both in KC Undercover and Showman). And when the scene calls for something crazy? Something dangerous? You call someone like Mallory, who’s part of an elite stunt team, used to tight days and tighter deadlines.
She’s also appeared in Westworld, Brooklyn Nine-Nine, Supergirl, and The Leftovers, doubling a full roster of stars while keeping the physical storytelling seamless. Stunt fans probably caught her utility work in Avatar: The Way of Water — and rumor is, she’s back for Avatar: Fire and Ash in 2025. Makes sense. She’s the kind of movie stunt expert who brings dependability with the danger.
Mallory’s not one to self-promote. But coordinators notice. Directors trust her. And fellow stuntwomen? They know she shows up prepped, and with zero ego. That’s the kind of behind-the-scenes stunts that make a production actually work.
She’s a proud member of SAG-AFTRA, a proud member of the Stuntwomen’s Association of Motion Pictures, and listed on legit stunt directories as a go-to female stunt double for projects across film, TV, commercials, mocap—you name it.
And off-camera? She’s still moving. Training, testing gear, staying ready for whatever crazy rig, show, or reshoot comes next.
Want to see where she’s been (and what she’s survived)? Take a deep dive into Mallory Thompson’s IMDb to check out her full filmography.









The Stuntwomen's Association of Motion Pictures (SWAMP) is the pioneering and longest-standing women's stunt team in history. Comprised of elite female stunt performers, coordinators, and second-unit directors, SWAMP champions safety, professionalism, and excellence across the entertainment industry. Their members have performed daring, high-risk stunts in many iconic blockbuster films and TV shows. Known for their immense contributions to the stunt and action world, SWAMP continues to influence the industry. For bookings or interviews, SWAMP remains a key resource for the finest in stunt performance.
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